Two chairs are onstage. The stage right chair is empty, and is facing the audience. The stage left chair is occupied by Actor 1, who is holding a pad of paper and wearing professional attire.
Actor 1 is sitting in a chair, holding a pad of paper. Actor 2 enters cautiously.
1: Welcome.
2: Startled. Thanks?
1: Sit. You say that as a question. Why?
2: Sits. I don’t know?
1: Still asking questions. You must stop; it is my turn for questions. How are you feeling?
2: Fine.
1: Really. Interesting. Writes furiously on the pad of paper.
2: Trying to read the pad unsuccessfully. Did I say something? You lost me.
1: I see. How was your day?
2: Well, I woke up and felt great. I came here. Now I’m not so great.
1: Thank you for answering that question thoughtfully. How does that make you feel?
2: Sighing overdramatically. It makes me feel this feeling, but I’m not sure about it, because I have this other conflicting feeling about this feeling. Plus I’m feeling a hundred different other feelings about events that have occurred over the course of my life. And then, of course, I have these other feelings about the conflict of the feelings itself. Now your questions are questioning my soul, and I’m not sure I can take it.
1: Writing furiously the entire duration of the last speech. We have made a lot of progress today. I will see you next week. Reaches out to shake actor 2’s hand. Actor 2 shakes the hand formally.
2: See you. Thank you.
1: It’s what I do.
Actor 2 exits.
Thursday, April 2, 2009
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April
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- Delicious Melon
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- untitled (grandma at the zoo)
- Can I Have It?
- Aboot a banana (A Tribute to the play Antigone)
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- Instant Message Conversation in Real Life
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- To Catch a Litterer
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- The Fruit of Knowledge
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- Knight's Glorious Death
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Contributors
this blog is where we'll post play submissions for the 2009 two-minutes play contest as soon as we start receiving them. readers will read and rate the plays, and based on those ratings, we'll narrow down the submissions to a final group. each play must be read by at least three readers.
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